Preview: LettError – terrorising letters?
6 May 1999
Erik van Blokland and Just van Rossum, via LettError, are familiar names to most designers. Whether that’s through their type designs – Trixie, Dynamoe etc – their work in interactive and new media, or appearances at design conferences. What’s probably less familiar is their ethos of computers as design tools in the widest sense.
|Petr takes the front seat, Erik and Just squeeze in the back|
At this point Just went to work for Meta Design in Berlin, and Erik finished his final year at the Academy. After this, eighteen months later, Erik joined Just at Meta too, Erik jokes â€œSpiekermann was convinced that every design company should have a resident Dutch type designerâ€. Just finishes â€œSo he thought if I have two then I’m safe!â€.
It seems about this time that the two of them started to develop their attitude towards computers. Just: â€œWe didn’t have a life. We didn’t know any people. So what do you do in the evening… well there’s computers we can use…â€ The first fruit of all night programming sessions was the random Beowolf font.
â€œWhen Erik and I sat together, playing with PostScript, we realised that when letters are programs, they shouldn’t necessarily be static. Hence Beowolf.â€
â€œAt ATypI 89 in Paris we wrote this little booklet called LettError, about making animated fonts in PostScript, at that point it was still an idea.â€ Erik recounts, they had still to develop the concept of random PostScript instructions into a working typeface.
The booklet was picked up by Roger Black, who was organising the ATypI conference the following year in Oxford – â€œType90â€. Through a convoluted process the pair ended up inviting themselves to speak at the conference.
â€œWe didn’t really have any work that we’d done together, apart from Beowolf. So we literally cut and pasted some slides together, stuck together with bits of red tape. Fifteen minutes before we were to go on we sat down and wrote down what we were going to speak about.â€